What stands out here, and why I blazed through this novel in about two days, is how clever and how engrossingly written it is. I've heard it said that Wilson is a "writer's writer," which certainly jibes with how novelist Taffy Brodesser-Akner (whose novel Fleishman Is In Trouble is also terrific) describes Wilson in her glowing NY Times review. She says she loved this "perfect" novel so much it set her back "egregiously" in writing her own. That's about the highest praise you can give a fellow scribbler!
The story is about Lillian, a late-20s, down-on-her-luck woman, who takes a job as a nanny (governess?) for her friend Madison's step-children. Madison's husband is a rich and powerful U.S. Senator, who is about to be nominated for secretary of state. Madison and Lillian had been fast though unlikely friends at an exclusive high school, where Madison, as a privileged rich kid went as a matter of course, but where Lillian had to earn a scholarship. The two have remained pen pals of sorts after an unfortunate incident in which Lillian had to leave the school and go back with her "kind" at public school.
But now, Lillian, who works two jobs at grocery stores in rural Tennessee, and lives with her mother, jumps at the chance to do something different (also to reconnect with Madison), even if that something means taking on a challenge for which she is woefully ill prepared: Nannying spontaneously combusting children.
So what's Wilson up to here? Why flaming children? As Brodesser-Akner mentions in her review, it's clearly a metaphor for...something. She says she was having too much fun reading the novel to put much thought into it. My take is that the "children on fire" idea is just a way to present the children as a unique problem, and then show how rich, privileged people often just throw around money and influence to deal with their problems in ways we plebeians can't.
Privilege and wealth are certainly the undercurrent of this on-the-surface light and funny novel. Rich people have it so much easier: They have available solutions that aren't possible for everyone else, and often with methods that are less-than-ethical or scrupulous. If those problems are, say, children — specifically, children with a strange affliction that might prevent a powerful man from becoming even more powerful — well, then they're just like any other problem: They need to be dealt with. The kids' best interest is secondary to everything else. The fire thing is a good way to make this point less heavy than if the kids had a rare and very sad disease.
Anyway, so Lillian, whose charge is basically to keep the kids under lock and key, works to be the cool adult, trying to earn the kids' trust, all the while trying to minimize the effects of their affliction. They do a lot of swimming, and she reads to them, and they try to convince Carl, a buttoned-up fellow who runs the mansion, to take them on clandestine outings. But then, of course, things go awry, as they're wont to do in novels like this.
I was one of few readers, I think, who wasn't a huge fan of Wilson's previous novel, The Family Fang. And I hadn't really considered reading this new one until Wayne, the manager at RoscoeBooks, said it's the best thing he's read this year. I needed a little change of pace after 700+ pages of logging and labor organizing, and this was just thing. Really loved it!
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